This piece has one of the most beautiful and lyrical lines in the choral repertory.
Factoids:
- Like the Durufle' Requiem discussed yesterday, Faure' wrote this as a lighter and more forgiving setting of the Funeral Mass.
- This is a contrast to the massive settings by Verdi and Berlioz which put emphasis on the wrath of final judgment.
- Faure' (and Durufle) do this by omitting the Dies Irae text (although it appears later in the Libera me, the initial presentation in the sequence is left out).
- As many of you know, the text for Agnus Dei is as follows:
Lamb of God who takes away the sins of the world, grant us peace.
- Often composers base their musical settings on the regret of sin, by using a darker harmonic langauge.
- After listening to the opening ascending passage in the Celli and Tenors, it seems Faure' emphasizes the hope of forgiveness, rather than the sorrow of sin.
Enjoy!
bad-ass piece.
ReplyDelete